7 Essential Winter Landscape Photography Tips7 Essential Winter Landscape Photography Tips
1) TimingLike most other aspects of landscape photography, timing is everything when photographing winter landscape. As a landscape photographer, sometimes I feel like I have become a meteorologist because I am always watching the weather to try and predict the best conditions to photograph a location. For winter landscapes, usually the best conditions are just after a snowfall. Winter landscapes typically look their best after that fresh blanket of snow covers the scenery. Photographing during a snow storm can be difficult because snowflakes will land on the front of your lens, creating water spots. If you are photographing while it is snowing, make sure you have a microfiber cloth with you to remove all of the snowflakes and water drops from your lens. Also, weather during the winter can quickly change, so make sure you check it again right before you leave for safety reasons and to make sure the conditions are what you are hoping to photograph.
2) Over Expose Your ImagePhotographing snow and ice can be very tricky because all of the white tones your camera views as you photograph the snowy landscape. Without getting into too many technical details, your camera wants to make everything 18% gray. It will see all of that amazing white and bright snow and will under expose the image, resulting in gray snow and ice in your image. To help prevent gray snow and ice, you will have to take control of your camera and overexpose your image by 1-2 stops of light, which will allow you to capture the proper white tones. Make sure you look at your histogram because you want to make sure you capture all of the details in the snow and ice. If you have a spike along the right edge of your histogram, then lower the exposure until your histogram is as far to the right as possible without any spikes along the edge. Doing this will help you capture white snow and ice.
3) Think before You WalkPristine snow can really help set the mood of isolation and foot prints in the snow, especially if there are a lot, can spoil this feeling, so think ahead about the composition you would like to capture before walking all over the place. To help prevent this, I work wide to small. When I first arrive at a location and am looking for a composition, I first stop and think about what elements drew me to this location and where do I need to be to best capture these elements. As I move around looking for the best composition, I slowly walk in a wide arch trying to disturb as little snow as possible and making sure I do not disturb any snow in the area I want to photograph. Once I’ve captured my wide angle image(s) I slowing move in, still walking in a wide arch, looking for other winter landscape compositions and detail images to capture.
4) DetailsWhile capturing the grand winter landscape is a lot of fun, to help tell the whole story, remember to capture the detail images as well. Look for interesting subjects that will add to the story of the day’s adventure. Details can be anything including snow on tree branches, pinecones, or icicles on rocks. Usually when I am photographing detail images, I will use a large aperture (f/2.8 – 4), which will help blur the background making the subject stand out. And if your lucky you might have a cardinal land on the branch you are photographing.
5) Polarizer FilterA circular polarizer (CP) filter is an essential tool to have in your camera bag year around, but it is very helpful when photographing winter landscapes. Most beginner landscape photographers use a circular polarizer (CP) filter only to enhance the color of the sky, but it can also be used to darken the sky and can remove the glare from the snow. Darkening the sky while removing the glare of the surface of the snow can help add some much needed contrast to your images, especially if you are thinking about converting the final image into black and white. If you want to capture the snow and ice around waterfalls, most CP filters also block 1- 2 stops of light, which will slow the shutter speed allowing you to create the smooth water effect. |